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History of Athenian figure-decorated pottery from the 6th to the 4th centuries BC, touching on technological aspects and iconography as well as on the find contexts of the vases. It also showcases current and past approaches to the study of Athenian pottery, making special emphasis on the figure of Sir John Beazley, the Oxford Professor who contributed to shape the discipline.
Greek art --- John beazley --- Red-figure pottery --- Attic pottery --- Black-figure pottery --- Scholarship --- Iconography --- Art, Greek. --- Vases, Red-figured --- Attic Greek dialect --- Vases, Black-figured --- Art --- Beazley, J. D.
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For the Greek, Dionysos was a very important god: for individuals as well as for the community as a whole. As there are only a few written sources dating from before the 5th Century BC the many images of Dionysos on Greek vases may well offer a genuine approach to the meaning given by the ancient viewer. This book explores the earliest images followed by those on small vases for private use, on mixing bowls of the symposion, on amphoras, on later drinking cups and on archaic sculptures. It gives an overview of Dionysian iconography of the 5th Century BC as well as an overall interpretation. The reader will learn why this god of vine and wine, of theatre and ecstasy, was so important for humans and why he played a key role in the life of the polis. Dionysos war für die Griechen ein Gott von zentraler Bedeutung, sowohl im Leben des Einzelnen wie der Gemeinschaft. Weil vor dem 5. Jahrhundert volumeChr. sehr wenige Schriftzeugnisse existieren, können uns die vielen Darstellungen des Dionysos auf griechischen Vasen am ehesten einen Zugang zu dem vermitteln, was der antike Mensch über ihn dachte. Analysiert werden zuerst die frühesten Bilder, dann jene auf kleinen individuell gebrauchten Vasen, auf grossen, beim Symposion verwendeten Mischgefässen, auf Amphoren, auf den späteren Trinkschalen und schliesslich in der archaischen Skulptur. Das Buch schliesst mit einem Ausblick auf die Bildgeschichte des Dionysos im 5. Jahrhundert volumeChr. und einer umfassenden Deutung. Diese Interpretation hilft zu verstehen, warum Dionysos, der Gott der Rebe und des Weins, des Theaters, der Ekstase, für den antiken Menschen so wichtig war und auch im öffentlichen Leben der klassischen Polis eine so grosse Rolle gespielt hat.
Vase-painting, Greek --- Vases, Black-figured --- Peinture de vases grecque --- Vases à figures noires --- Dionysos (Divinité grecque) --- Themes, motives. --- Thèmes, motifs --- Art --- Dionysus --- Art. --- Dionysus (Greek deity) --- 292 --- 704.947 --- Black-figure vases --- Black-figured vases --- Vases, Black-figure --- Vases, Ancient --- Themes, motives --- Religion Classical Greek and Roman --- Arts Mythology --- Vases à figures noires --- Thèmes, motifs. --- Dionysos, --- Dans l'art --- Greece. --- Bacchus --- Bakchos --- Dionís --- Dionisas --- Dioniso --- Dionīss --- Dionisu --- Dioniz --- Dionizi --- Dionizo --- Dionizos --- Dionüszosz --- Dionysos --- Dionýzos --- Diyonizosse --- Διόνυσος --- Дионис --- ديونيسوس --- 디오니소스 --- דיוניסוס --- ディオニューソス --- 狄俄倪索斯 --- Βάκχος --- Діоніс --- al-Yūnān --- Ancient Greece --- Ellada --- Ellas --- Ellēnikē Dēmokratia --- Elliniki Dimokratia --- Grčija --- Grèce --- Grecia --- Gret͡sii͡ --- Griechenland --- Hellada --- Hellas --- Hellenic Republic --- Hellēnikē Dēmokratia --- Kingdom of Greece --- République hellénique --- Royaume de Grèce --- Vasileion tēs Hellados --- Xila --- Yaṿan --- Yūnān --- Vase-painting, Greek - Themes, motives. --- Vases, Black-figured - Greece - Themes, motives. --- Dionysus (Greek deity) - Art. --- Classics --- Religion in Antiquity --- Classical Studies --- Amphora --- John Beazley --- Krater --- Kylix --- Satyr
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Setting as a starting point the introduction of the black-figure technique in Attic workshops at around 630 BCE, this book attempts a contextual analysis of Attic pottery until late in the first quarter of the sixth century BCE. The shapes and their functions, as well as the iconographic themes are explored through this perspective. This offers an interesting insight into funerary, cultic and profane activities in Athens and the Attic countryside, which is completed by an extensive study of the trade and distribution of Attic vases during this period. The result is a complete overview of early black-figure Attic production, enabling an afresh archaeological approach to late seventh-and early sixth-century Attic society.
Ancient history --- History of civilization --- Applied arts. Arts and crafts --- Pottery, Greek --- Vases, Black-figured --- Vase-painting, Greek --- Céramique grecque --- Vases à figures noires --- Peinture de vases grecque --- Themes, motives --- Thèmes, motifs --- Attike (Greece) --- Attique (Grèce) --- Antiquities. --- Social life and customs --- Commerce --- Antiquités --- Moeurs et coutumes --- 738.30938 --- Arts Ceramic Earthen ware and stoneware Ancient world Greece --- Céramique grecque --- Vases à figures noires --- Thèmes, motifs --- Attikē (Greece) --- Attique (Grèce) --- Antiquités --- Greek pottery --- Classical antiquities --- Pottery, Classical --- Black-figure vases --- Black-figured vases --- Vases, Black-figure --- Vases, Ancient --- Greek vase-painting --- Attiki, Greece --- Atiki (Greece) --- Attica (Greece) --- Attika (Greece) --- Attikēs Nomos (Greece) --- Attiki (Greece) --- Attikis Nomos (Greece) --- Attique (Greece) --- Periféreia Attikís (Greece) --- Periphereia Attikēs (Greece) --- Region of Attica (Greece) --- Αττική (Greece) --- Commerce. --- Social life and customs. --- Themes, motives. --- Kunst (Romeinse). (Reeks) --- Art romain. (Collection) --- Art grec. (Collection) --- Kunst (Griekse). (Reeks)
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